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Bataille’s Idol's avatar

Hello there. Hopefully, I am not being annoying again, but since I intend to write an article on the matter, I am trying to get a chance to test my thoughts.

So, I noticed that the first part of Shtein's argument was a straw man, unfortunately, but I have my doubts about a restriction necessity of sufficient counterfactual robustness.

Say, for example, that an artist imposes over herself the restriction of using just three colors for a painting or collection as a personal challenge. In practice, there would be little (external) penalization for violating or abandoning this restriction, especially if no one else knows about this personal challenge, but that doesn't indicate that this is less of a restriction. After all, the artist would still deliberately try to adjust and discipline her technique to comply with the restriction. And actively trying to conform to the rule of three colors seems to me a different disposition from merely using three colors until you want otherwise.

Similarly, deliberately conforming or sustaining a two-person partnership because you believe it would produce something unique (whatever this could be) while knowing that you and your partner would be accepting (in principle) of a change in the relationship structure, seems to me to imply a different disposition and situation from merely having a two-person partnership because neither partner has found themselves interesting on other people, even though the two conditions would lead to similar results if they faced a counterfactual opposition.

Maybe it matters if we're viewing a restriction as a mere prohibition or if it's a creative or enabling one. Enabling restrictions focuses more on what they directly produce instead of what they impede from happening.

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